New features summary for the 2. Adobe Premiere Pro CCThe 2. Premiere Pro CC (April 2. With this release, you can create graphic objects and titles effortlessly directly on your video using the new Titler built on the same text engine as Photoshop and Illustrator.

It's easy to obtain professional quality results with no audio expertise when you are editing audio in Premiere Pro. Publish to Stock effortlessly and start contributing to Adobe Stock and reach millions of creative buyers by using the new direct publishing option available in Premiere Pro and Adobe Media Encoder. This release also includes a host of other exciting features including: New audio effects & improved integration with Adobe Audition - Send audio effects and keyframes used in Premiere Pro to Audition without any rendering.

Adobe® Premiere® Pro CC is a modern video editing application that leverages NVIDIA GPUs for industry-leading native file format support, including 4K and High.

Ambisonic audio output for VR- enabled platforms such as You. Tube and Facebook. Support for Apple Mac. Book Pro Touch bar and Microsoft Surface Dial. Support for new formats.

Enhanced support for Team Projects Dynamic Link. Motion graphics Enhanced 4.

Accelerate your creative and video production with NVIDIA Tesla and Quadro GPUs. Solutions for Adobe Creative Cloud, Creative Suite, and new Adobe Anywhere. Buy Adobe Premiere Pro CC Online video resource for expert instruction and inspiration about Adobe products.

K 6. 0p performance. Improved support for Apple Metal. Video preview of Stock footage within the Libraries panel and much more. For a summary of features introduced in the previous release of Premiere Pro CC, see Feature summary . Once you select some media and press the Add button, a new project is opened with your clips in the Project panel.

A sequence also gets automatically created from the selected media, in the order that the clips were selected. You can now get started quickly with a new project, play back a sequence in the Timeline and start editing. Adobe Premiere Pro CC subscribers see this Welcome screen once during the first launch. New in this release of Premiere Pro CC  2.

You can also add images or video in Clip Layers to complete the graphic. Easily rearrange and adjust layers and their properties  right inside the Essential Graphics Panel, and use familiar controls with the Effects Control Panel for motion and effects to create stunning motion graphics. The new Title tool offers a simple and intuitive way of adding text directly on the Program monitor. It’s fast and easy to change size and position of your title, change color and font type, or use different alignment options. Assign a title as a master graphic and every iteration of that graphic through your sequence gets linked.

Alter the master graphic, like changing the font, color or size, and see that alteration ripple through all instances created from the master graphic. Titles and Graphics created in the Program monitor are automatically added to your sequence, saving you time and adding flexibility to the creative process. All controls for the new Title tool can be found in the new Essential Graphics Panel, part of the new Graphics Workspace.

Video editors often don’t have the bandwidth or expertise to create dynamic, professional graphics, or graphics packages such as titles, lower 3rds, bumpers, and closing credits. However, they want the ability to change core properties quickly and efficiently within the graphics throughout a given project. Premiere Pro allows editors working with Motion Graphics templates created in After Effects to change some variables (dictated by the After Effects artist) such as text, color, size, layout, or mood of the motion graphic without changing the overall aesthetic. Editors and motion graphics artists can easily share Motion Graphics templates through CC libraries integration. To learn more, see Essential Graphics Panel.

New in this release of Premiere Pro 2. The Essential Sound panel in this release of Premiere Pro empowers video editors to easily handle mixing techniques for their projects without the need for audio expertise. The Essential Sound panel can be found as part of the Audio workspace inside Premiere Pro. Using this panel, you can easily designate whether an audio clip is music, effects, dialogue, or ambience and choose are given straight forward audio parameters, appropriate to the selection made, so you can achieve optimal sound quickly. This gives you the opportunity to effortlessly reach millions of creative buyers and also receive best- in- class royalties for your work. Sharing your projects via Destination Publishing allows you to render and share videos to popular web locations from directly within Premiere Pro and Adobe Media Encoder CC.

To learn more, see Publishing to Stock. New in this release of Premiere Pro CC  2.

Team Projects now allows users to collaborate in Adobe Media Encoder CC along with Premiere Pro CC, After Effects CC, and Prelude CC. Using Adobe Media Encoder you can access Team Projects for batch export when you are working with multiple projects. Team Projects support for Premiere Pro now also includes support for Dynamic Link, and Motion Graphics Templates support.

New in this release of Premiere Pro CC  2. Balanced Scorecard Software Balanced Scorecard Software Free on this page. Premiere Pro supports more sequence components and settings that were not transferrable before. Some of the new effects that are now available in Premiere Pro include: Convolution Reverb. De. Esser. Distortion. FFT Filter Notch Filter.

Scientific Filter. Hard Limiter. Mastering.

Pitch Shifter. Stereo Expander. Surround Reverb. As part of this release, there are also several other audio effects that have been updated to include real- time spectrum displays and gain meters and look futuristic. New in this release of Premiere Pro CC  2. You can also calibrate audio as per your orientation and position. Much like VR video in Premiere Pro, the audio is an explorable 3. Expanding on the foundational VR workflow components Premiere Pro now offers Ambisonic audio to take the VR experience to the next level with positionally aware audio represented within the spherical video.

To learn more, see Assembling Ambisonics Audio. New in this release of Premiere Pro CC  2. You can also use the new Microsoft Surface Dial for fine adjusting of parameters directly on the Surface Studio. To learn more, see Files supported for export with Media Encoder. New in this release of Premiere Pro CC  2.

Adobe Premiere Pro CC Review & Rating. Adobe Premiere Pro deserves its place as the industry standard video editing software, thanks to its familiar nonlinear editing interface, unmatched ecosystem of tools, and powerful set of capabilities.

Since my last look at the massive application, it has added support for 3. VR content, 4. K (and higher) and HDR video, and the Lumetri Color tool. It has also added class- leading collaboration capabilities.

All of this makes Premiere well worthy of an ditors' Choice award for professional- level video- editing software. While Apple made a drastic break with the past when it updated Final Cut Pro X, Adobe continues to take an incremental approach, polishing the interface and adding state- of- the art tools to its professional video editing software, Premiere Pro CC. Those used to traditional nonlinear digital video editing will applaud Premiere's familiar approach, but in its favor, Final Cut offers some innovative tools like connected clips, auditions, and a trackless timeline that can ease the work of editors. Pricing and System Requirements. Premiere Pro is now only available by subscription to Adobe Creative Cloud. The cross- platform program runs on mac. OS 1. 0. 1. 0 through 1.

Windows 7 through Windows 1. It also requires a minimum of 8. GB of RAM (1. 6GB recommended), and a 1,2. The program by itself costs $1. You can also get it as part of the complete suite of Adobe professional applications for $4.

There is a free 3. Because Premiere is sold as a subscription, not only is the immediate dent on your pocketbook lessened (prior to the new pricing plan, it cost a cool $7. When you install Premiere, you also get Adobe Media Encoder, which converts output to a wide variety of formats for online and broadcast. Interface. Premiere Pro has a good- looking, flexible interface.

The startup view helps you quickly get to projects you've been working on, begin new projects, or search Adobe Stock. The dark program window makes your clips the center of attention, and you can switch among functions like Assembly, Editing, Color, Effects, Audio, and Titles. You can edit these or create your own custom workspaces, and even pull off any of its panels and float them wherever you want on your display(s). You can now create content bins based on search terms. By default, the editor uses a four- panel layout, with the source preview at top left, a project preview at top right, your project assets at lower- left, and the timeline tracks along the lower right. You can add and remove control buttons to taste; Adobe has removed a bunch by default for a cleaner interface. Since many editors rely on keyboard shortcuts like J, K, and L for navigating through a project, fewer buttons and a cleaner screen make a lot of sense.

It's a very flexible interface, and you can undock and drag around windows to your heart's content. When you hover the mouse over a clip in the source panel, it scrubs through the video. Premiere is now touch- friendly, letting you move clips and timeline elements around with a finger or tap buttons. You can also pinch- zoom the timeline or video preview window. You can even set in and out points with a tap on thumbnails in the source bin. Final Cut supports the new Mac.

Book Pro Touch Bar, but I prefer the on- screen touch capability, since, unlike the Touch Bar, the touch screen doesn't require you to take your eyes off the screen and therefore your video project. When you click on a media thumbnail, you get a scrubber bar and can mark in and out points right there, before you insert the clip into your project. Premiere offers several ways to insert a clip into your sequence. You can click the Insert or Overwrite buttons in the source preview monitor, or you can just drag the clip's thumbnail from the media browser onto the timeline or onto the preview monitor. Holding Command (or Ctrl on Windows) makes your clip overwrite the timeline contents. You can even drag files directly from the OS's file system into the project.

The media browser also has tabs for Effects, Markers, and History, the last of which can be help you back to a good spot if you mess up. Markers, too, have been improved, with the ability to attach notes and place multiple markers at the same time point. Markers can have durations in frame time codes, and the Markers tab shows you entries with all this for every marker in a clip or sequence.

Clicking on a marker entry here jumps you right to its point in the movie. Any device that can create video footage is fair game for import to Premiere Pro. The software can capture from tape, with scene detection, shuttle transport, and time- code settings. It also imports raw file format from pro- level cameras like the Arri Alexa, Canon Cinema EOS C3. Red Epic. Resolutions of up to 8.

K are supported. And, of course, you can import video from smartphones and DSLRS, as well. For high- frame- rate video, the program lets you use proxy media for faster editing. Trimming Clips in Your Project. Premiere Pro continues to offer the four edit types that sound like they belong at a waterpark—Roll, Ripple, Slip, and Slide—and adds a Regular Trim mode. They're all clearly accessible at the left of the timeline. The cursor shape and color give visual cues about which kind of edit you're dealing with. A welcome new capability is that you can actually make edits while playback is rolling.

In a nice touch, holding down the mouse button while moving a clip edit point (or double- clicking on an edit point) opens a view of both clips in the preview window. If you double click on the edit point it switches to Trim mode, which shows the outgoing and incoming frames, with buttons for moving back and forward by 1 frame or 5 and another to apply the default transition. As with Adobe Photoshop image layers, layer support in Premiere Pro lets you apply adjustments. These will affect all tracks below them. You create a new adjustment layer by right- clicking in the project panel. Then you drag it onto a clip your timeline, and start applying effects. Transitions and Effects.

If you've been reading my recent reviews of enthusiast- level video editing software, you may be surprised to learn that Premiere Pro includes just 3. This is because in the pro community, most of those hundreds of transitions offered by the likes of Cyber. Link Power. Director are considered tacky—if pros want to do fancy transitions, they build their own striking, custom ones in After Effects or buy polished premade ones via third- party plug- ins. Otherwise, all the video effects you'd expect are present—keying, lighting, colorizing, and transforming. You can apply an effect just by double clicking. A search box makes it easy to find the effect or transition you need.

The Warp Stabilize feature, brought over from After Effects, is very effective at smoothing out bumpy video. But it takes a while, analyzing one frame at a time. You can adjust the amount of cropping, tweak the percent smoothness, and make the borders auto- scale. But the long wait pays off. The result was very noticeably smoother than in Final Cut Pro X in my testing. Collaboration. New collaboration features rank high in the list of new features in Premiere Pro.

Creative Cloud Libraries let you store and organize assets online, and the beta Team Projects feature lets editors and motion graphics artists using After Effects collaborate in real time. The Teams features are only available for business- level accounts, which cost $2.

Any Premiere user can sync settings to Creative Cloud, for editing from different PCs and locations. This also means that editors can go to any machine running Premiere and see their environment tweaks duplicated by signing into the cloud. VR Video. Premiere lets you view 3. VR footage and change the field of view and angle. You can view this content in anaglyphic form, which is a fancy way of saying you can see it in 3. D using standard red- and- blue glasses. You can also have your video track a head- mounted display's view.

The program, however, couldn't open my Samsung Gear 3. Corel Video. Studio, Cyber. Link Power. Director, and Pinnacle Studio can all open the footage without this conversion. You can't see the spherical view alongside the flattened view as you can in those apps, either, but you can easily toggle back and forth between these views if you add the VR button to the preview window.

Helpfully, the tool lets you tag a video as VR, so that Facebook or You. Tube can tell it's 3. Multi- Camera Angle Editing. Multi- cam in Premiere can now accommodate an unlimited number of angles, limited only by your system capabilities. Final Cut Pro X lets you work with only 6. In Premiere, you select your clips and choose Create Multi- Camera Source Sequence from the right- click or Clip menus, and then choose a syncing method. The program now does a good job of syncing clips based on their audio, which is helpful for DSLR- shot clips, since they have no time codes.

As in Final Cut, a Multi- Camera Monitor lets you record angle changes as the composite video plays, either by simply clicking on the angle's tile or corresponding number. You can then adjust the cuts with the normal editing tools.

Color Adjustments and Effects. The Lumetri Color Tools in Premiere brings the program up to the status of Photoshop for video. These tools offer a remarkable amount of color manipulation, along with a great selection of film and HDR looks. You can adjust white balance, exposure, contrast, highlights, shadows, and black point—all of which can be activated with keyframes.

Saturation, Vibrance, Faded Film, and Sharpen adjustments are also available. But the curves and color wheel options are truly impressive. There's also a very cool Lumetri Scope view, which shows the current frame's proportional use of red, green, and blue. You can opt to apply any of these effects only in masked areas, which you can create from polygons or by using a pen tool.